28.05.2025
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Shocking Early Exits at Singapore Open 2025: Matsuyama/Shida, Lei Lan Xi Withdraw

Shocking Early Exits at Singapore Open 2025: Matsuyama/Shida, Lei Lan Xi Withdraw

The Singapore Open 2025 delivered an unexpected twist on Wednesday (May 28) as two high-profile names made early exits from the tournament. Japan’s second-seeded women’s doubles pairNami Matsuyama and Chiharu Shida, along with China’s men’s singles contenderLei Lan Xi, have officially withdrawn from the Round of 32, according to BWFBadminton.com.

Matsuyama/Shida Cut Comeback Short

Matsuyama and Shida’s withdrawal is a surprising turn of events, especially after their promising return to the circuit earlier this year. Having resumed their partnership in March following a hiatus, the duo quickly reestablished themselves among the elite.

Their comeback was highlighted by a triumphant run at the 2025 All England Open, where they captured their second Super 1000 title at the prestigious event, adding to their first win in 2022. They further cemented their return to form with a strong showing at the 2025 Asian Championships, reaching the finals and reaffirming their status as title contenders.

However, their campaign in Singapore comes to a sudden halt, with no official explanation provided for the withdrawal as of this writing.

Lei Lan Xi Also Pulls Out

China’s Lei Lan Xi, a rising figure in the men’s singles category known for his composed playing style and strategic discipline, has also exited the tournament. The 2025 season has been a key developmental year for Lei, who continues to build his reputation on the international stage.

Like Matsuyama/Shida, Lei’s withdrawal was confirmed without an official reason released by the tournament or team representatives.

Tournament Implications

The sudden exits of top-seeded players could shift the dynamics of the competition as early as the Round of 16, potentially opening up opportunities for lower-ranked competitors to make deep runs.

As the Singapore Open 2025 progresses, all eyes will be on how the draw reshapes and who can capitalize on the unexpected early drama.